a chance encounter at university during the acid house summer of ’88 and subsequent bonding over baby ford’s “oochy koochy” established a life-long friendship between leicester lads, jimi o’callaghan and al green. inspired by the sounds of detroit, early ny house like murk and masters at work and the emerging uk sounds of lfo, orbital and aphex twin, the pair began djing and making music as the wild geese. their first ep, “the wild geese ep”, was released in 1994 on their own giddy goose recordings imprint. the guys pressed 500 copies and, with jimi’s connections made interning with pete tong’s ffrr, sold copies direct to london shops. the record sported packaging designed to look like an american 12” and an accompanying press release attributed the ep to a fictitious dj duo hailing from wisconsin. rave reviews followed and a distribution deal was struck with vital uk, who produced and sold another 500 copies worldwide. another ep followed a year later. sadly, plans for a third ep on the label never materialized, but the pair remain close to this day. 24 years later we are honored to reintroduce this genre-defying, uniquely forward-thinking ep to today’s dance floors.

continuing on from the success of dfr001and their cutting edge acid house nights the downfall crew smack you right between the eyes once again with another raw, jackin’ red hot release. the hydrochloric substance ep. it’s not surprising as all of them are veterans of the 1980’s london acid house scene and quite frankly nobody knows it better. the......ep hits you right between the eyes and carries on straight from the last release, this time also incorporating the likes of type 303 and nuff trip along with consequence and the auditor.

pyramid transmissions is back with the first solo release on the label from pt creator adj. street life ep is four tracks of bass driven future electro music from one of the longest standing members of the scene. street life part 1 is pure unadultered future bboy music with punching kick drums, dirty acid and characteristic glitches added to the mix for that unmistakable adj sound aimed at making you dance while getting in your head simultaneously and adj always looks to the future but with nods to his past of 808 electro music.

nice price deal !!! limited repress! vienna based meat recordings is back on vinyl with another compilation showcasing the labels diverse approach towards techno music. the four-tracker features tunes by gerald vdh, specific objects, matt mor & chris klein as well as bort, which range from boomy big room techno to old school acid bangers.

by your side is the second solo release of the year from will saul, it follows his spring 12inch bugs which gathered support from gilles peterson on his bbc 6 music show as well as leon vynehall, midland & deetron. never content to sit still in one style or genre bys sees will exploring his love for electro, acid and tripped out left of center house. with more eps on the horizon for the autumn we find an artist full of inspiration, elated to be back in the studio and enjoying his most fruitful production spell in recent history.

not content with already steering the vigenere and oscillat labels and appearing regularly on will & ink and lazare hoche, malin genie has launched his own self-titled label as a vessel for his most intriguing twists on the house and techno template. the record strides in with the tracky tones of hypothetical island of stability, a feast of micro pops and squiggles strapped to a rock solid beat. fudeoroshi is more overtly minimalist in nature, using the barest of ingredients to make a potent dancefloor cut. bulbocavernosa opens up the filters and lets a little nasty acid fun and games into the mix, and then mer neith it es rounds the record off with a soaring slice of melodic, deep techno that stands confidently apart from the rest of the tracks.

from playing acid house at the legendary haçienda to residencies at a number of the world’s super clubs and a grammy nomination, sasha s career trajectory is pretty much unparalleled. his contribution to electronic music in the 90s is synonymous with the rise of progressive house. as a producer, his vast discography includes a number of studio albums, remixes for madonna and the chemical brothers and soundtracks for computer games, whilst a long list of acclaimed mixes are heralded by many as some of the greatest of all time. as well as his work as a highly visible public figure, he has an extensive history of mentoring other artists behind the scenes, running his own management agency and a studio in new york whilst introducing a wealth of acclaimed artists via his last night on earth imprint. here, across 4 plates of vinyl, all but 4 of the 20 tracks on sasha s fabric 99 mix are available in their full-length glory. featuring his own exclusive track smoke monk (fabric mix), his moog-apella edit of george fitzgerald s echo forgets, and his fabric1999 remix of baile - amae feat. felicia douglass.

heya. varvet strikes again. this time with no less than techno veteran ben pest. ben who just started his own label over worx and before that releasing tons of records on labels such as bonus round, don t, i love acid just to name a few. he also released under the name black e together with cristian vogel on vogels sleep dept imprint. bens ep is 4 tracks of complete and utterly funky techno madness that will be hitting any dancefloor or twisted mind right in the stomach. first limited press is on solid green vinyl since this is bens favourite colour.

“ample profanity” is composer laurie tompkins and cellist oliver coates collaborative debut: coagulated gristle surfacing from a beal, brooklyn-brown, ray v, bangs, gan, rugs and works acid bath. the ep collects 5 pieces composed by laurie and then co-edited and performed with olly. the former plays keys, tape player, and samples, the latter cello with effects. both sing. here is grazed, contorted classicism, here post-binge hallucinations, here gunky funk. the vinyl release includesd a download code.

smashing old school 90s acid killer, experience 1 of 3, limited edition, fullcover artwork

re-issue of i-fs acid projects, 808 & 303s! !

the 20th release from nina kravizs seminal &#1090,,,,,,,&#1088,,,,,,,&#1080,,,,,,,&#1087,,,,,,, imprint is an homage to some of the most uncompromising manifestations of electronic music imaginable. tracing sub-cultures from the 90s to the present day, &#1090,,,,,,,&#1088,,,,,,,&#1080,,,,,,,&#1087,,,,,,, 20 interrogates the boundaries of tempo and form via hardcore, gabber, acid techno and ambient. a mix of unreleased material and essential gems, the ten-track compilation visits &#1090,,,,,,,&#1088,,,,,,,&#1080,,,,,,,&#1087,,,,,,, regulars, esoteric masters and relative newcomers on a voyage to the extremities of a global underground. &#1090,,,,,,,&#1088,,,,,,,&#1080,,,,,,,&#1087,,,,,,, 20 continues the tradition of gatefold double eps as a conceptual album. all of the tracks are selected around a particular story, a trip, and presented as a continuous sonic landscape. all of the tracks are structured in a way that they can be mixed one with another an endless amount of times making a continuous loop, a trip, that needs only end when the party stops. kraviz works without release dates or deadlines, enabling her to achieve a certain sound bank to shape the story, unmasking the thoughts and unraveling like a dream.

framework recordings is back with a very special, limited run vinyl ep that features five fantastic artists in oliv, o’hana, blurred, fred and ground16, and deep house doesn’t come much finer. first up is the low key oliv, part of the heady party collective bedford crew. his ‘submarine cruise’ is an effortlessly atmospheric dub house track. sandy shakers, balmy pads and an astral lead synth line all ooze underground class. o’hana is another emerging producer with an already well formed sound. his gorgeous ‘lune’ is another prime bit of deep house with analogue kicks and hits, subtle vocal samples and cavernous pads that melt into the horizon.
blurred are a young italian pair from labels like lapsus, safe music and hotfingers and keep up the cultured dub house vibe with more deeply enveloping grooves and dusty hits. the chords here are smeared in the background and sure to find favour with the more intimate dance floors out there. then it’s to impressive new swiss artist fred for ‘mw.’ it’s deep and house-y again, but this time it drives forward on huge kicks, with acid lines and icy hi hats bringing the energy while yawning synths soften the edges. closing out a tasteful package are swiss pair ground16 with ‘3rd street.’ cosmic in nature and with wide open pads, this house groove is another analogue beauty with warmth, smart vocal snippets and dreamscape pads. these are timeless deep house cuts that are deceptively simple and superbly executed.

in the studio prototype 909 was a group that rarely agreed on a clear idea of exactly what they were trying to accomplish. the entire project was an experiment, and every time they hit record there was nothing better for them to do than to just try stuff. whenever it came time to put together an album they would go through what they had recently done and nd the tracks that seemed to fit together well, or that at least sounded like they were made by the same group. that left on the cutting room foor some really amazing worst that somehow just didnt fit their goals at the time. at schmer, we remember. p-909 leftovers have schmer written all over them. these four tracks were all recorded live in the studio in between their three studio albums 93-97. brenecki ( half of ontal ) provided his remix inspired by one of them. hyperdrive and -datafash- were recorded shortly after acid technology was released in 93. they come from the -lets make acid technology vol 2 approach-. that would have made a really cool record had they done it but they decided on making transistor rhythm instead. anoisenyc aka the tracs that dietrich hates is what you get when you let jason go nuts on a doepfer maq-16 ( they never made that mistake again ). bobo is possibly the most prototypical p-909 tracks ever: it took three guys making their own tracks simultaneously almost ignoring what the others were doing but somehow mixing them into a flow to make this one, but it all comes together nicely in the end. its amazing that they never released it before. you ve enjoyed the wait, now enjoy your new prototype 909 while it still is new!

over the course of the last decade, black pepper label boss jose manuel has proved to be one of electronic music s finest contemporary alchemists, conjuring percussive, intoxicating and otherworldly musical treats for such labels as tusk wax, kinfolk, kill the dj, optimo trax and music for dreams. the genius of manuel s productions lies in the italian s ability to conjure cracking cosmic compositions out of a diverse range of global rhythms, instruments and influences. rarely has this been more evident than on his debut release for nunorthernsoul, a four-track serving of dancefloor mysticism that puts mind-altering rhythms and saucer-eyed instrumentation front and centre. track, for example, the light and dreamy wrapped sumptuous balearic synthesizer chords and melodies around gentle hand percussion and drifting zambian vocals on the sublime journey in lusaka followed by the feverish, trance-inducing african rhythms, delay-laden chants, psychedelic acid lines and jangling jew s harp motifs of intense opener journey in lusanda , a ritualistic afro-cosmic onslaught ripe for peak-time plays. if the ep opener is all about being flat on your back and staring skywards, the follow up is all about druggy, heads down sweatiness! manuel s deep love of indian music is explored on journey in mumbai , where exotic sitar lines, fluttering clarinets and echoing, densely layered female vocals rise above a thick, tabla-fired groove. it s naturally hugely evocative and atmospheric - a fine dose of emotion-rich spirituality capable of inducing hallucinations in the straightest of listeners. to complete the ep, our hero travels even further east for journey in osaka , a fittingly percussive exploration of japanese music s past and present that also includes audible nods towards the poly-rhythmic drums of west africa. it s a superb combination of traditional instrumentation, 21st century electronics, heavyweight rhythms and mood-enhancing melodic flourishes. like the rest of the journeys in...ep, it s both hugely alluring and impeccably produced

the 6th release of ville nouvelle, music for five post cards brings together five artists from across the globe, both old and new to the label. the compilation materialises as a musical ballad, 40 minutes long, and evoking feelings of travel and the contemplation of nature. in the continuity of ville nouvelle’s exploration of music and graphic design, each track is transformed into a respective postcard by the french artist alexis jamet, who was given carte blanche for this exercise. the project appears as a personal mosaic of evocations reflecting both in image and music a kind of international feeling.

after recent individual releases on ecstasy garage disco and tone dropout, ritual poison bosses bufobufo and corporeal face join forces for their new escape earth project.
a psychedelic pulse of chugging acid marked disco, ‘escape earth theme’ is an animist call to arms in the obscene face of the anthropocene. 303 master bawrut transforms it into a hymn for early morning rave reflection, adding breakbeats and psychotropic synths.
crushed by its own supermassive weight, ‘gravity well’ then condenses escape earth’s love of jungle and hardcore into a 128bpm stepper of rumbling low-end, polyrhythmic beats and otherworldly melody.

bror records and jens records proudly present a gothenburg-strong collaborative effort with brorx1/jens009. on the a-side jens records mainstay pontus björland delivers “limits” with love karlsson on industrialesque vocals. a raw, distorted machine workout with an acid undertone.
bror records curator dj lily ups the pace with an energetic remix of “limits”, making the most out of its original dystopian atmospheric elements, presented at a steady 132 bpm.
the b-side holds the undisclosed gothenburg duo quackpac with the deadly and stunningly executed late hour excursion “earthquack”, measuring in an impressive 16 minutes (hint: don’t miss the last minute).

brand new warped & acid techno tunes out of the chamber.
a 3-tracker ep full of contrasts between raw sinister 303 lines, mellow chord pads and cranking beats madness.

sensual and primitive, chante afrique ep is perfectly encloses the most acid house digressions and its deepest roots. a work that well combines past, present and future. all the genius of the legendary paul johnson in three original mixes and the -wild circus mix- of chante afrique track by lello di franco aka l.d.f., an introspective and sophisticated remake. a must have!

finally we are pleased to announce our tenth ep, which is for us a milestone and not by chance we chose and.rea, who has delivered four tracks with his style and an acid footprint. we do not want to add anything else and let his music speak.

nice price deal !!! lowmoneymusiclove is happy to welcome french producer seuil to the lmml family.  

steffen baldo aka ugly drums is a german producer, dj and selecta hailing from cologne, with previous releases on rush hour, faces records and quintessentials. one of the best kept secrets of german deep house, ugly drums delivers the second release of le petit zoo, a new french label ran by pablo valentino (mcde) and lb aka labat. starting with you taught me (reasons), an acid track that keeps you on your toes, he advances smoothly to three classy deep house cuts, full of lushful synths, groovy basslines and clever hooks. tip!

4 track ep with a remix by sfv acid & other by roza terenzi. good music from la to australia.

summertime funtime courtesy of... someone from somewhere. who know? “liwando” is madchester rave culture with a disco underbelly and a bongo and conga fervor. jacques renault’s mix somehow manages to cram a few more sticks of dynamite into the mix, beefing up the funkiness quotient (that bass!) and embellishing the breakdowns (that horn!) “didn’t i (acid version)” is definitely the afterward to “liwando,” a joyous, soaring encore that has, yes, a touch of acid folded in.

chicago house pioneer dj sneak and russian export tripmastaz have proven themselves to be a formidable pairing since their first ep landed on sneak’s imprint, i’m a house gangster, in 2014. in july, they add to their joint discography with a three-tracker dispatch on cassy’s burgeoning label, kwench records. the label’s sixth release, cassy takes a step back and gives this collaborative duo yet another outlet to showcase their dancefloor fodder, which follows releases on kaluki music, mr. nice guy, reptile dysfunction, ovum recordings and, of course, i’m a house gangster. extraterrestrial intelligence reminds fans of not just their deftness in producing tough house cuts, but also their prowess at manipulating the roland tb-303 to deal a solid smacking of acid. ‘ufo’ reaches out to roughen up the humanoids of this planet with the 303’s distinctive squelch and those clattering drum machine rhythms – a track that’s guaranteed to get you twisted. gruff vocals on ‘click thang’ break through as a tough bassline ensures your participation on the floor, and ‘last daze of dizko’ maintains momentum with a thumping bassline that any peak-time burner should possess.

here it is ! the long-awaited new lp from former dubtribe soundsystem shaman sunshine jones far from basking in bay area bliss, sunshine has been busy redefining his organic approach to music making and sound synthesis into a rich and textured fresh take on the house blueprint - best realised in his elaborate & ever-evolving live shows. assembling these improvised pieces into a cohesive whole, that might well just be the best vinyl based representation off a full night out you re likely to hear this year. from the emotive opener to last year s anthemic fall in love, not in line closer, home represents the fluid but refined garden of sound that s grown from dubtribe s rich 90 s foundation. the artwork on this splendidly presented gatefold lp is a photograph of sunshine performing live at the garden party in san francisco by the holy mountain, the collage is done by sunshine and the design is by fernando_graphicos. accompanied by detailed track notes, with all equipment used to make the record alongside sonic schematic. man and machine aligned for total transcendence ! single gatefold lp

this one has been a long time coming. great 12”s never get shelved at lddlm, time is not the essence. benedikt frey has been part of the extended family since his remix of car’s idle eyes and we crossed paths a few times at robert johnson in frankfurt. init, his project with his other half nadia d’alò, has seen releases on neighbours such as hivern or correspondant, our door was naturally open to their pretty personal brand of “off-kilter techno” as ra says. stereometric is almost a definition of init’s acid mind. failing their own tricks, heavy atmosphere and unusual restraint. nuts is almost an instrumental extension of the title track, when your head finally hit that window pane. wheels slows the rush down, wandering on an imaginary khyber pass. this is only deception though, mindwork being a real exercise in post-goa trance. hope you enjoy the trip. see you after the summer.

prfy 002 features four acid centered tracks by purify records co-founder and longterm goethebunker resident cramp. the first solo ep of the german dj and producer features four crafty club cuts suitable for a versatile range of settings. acid, techno, house, dub - it‘s all in there. don‘t sleep on this one!

sb traxx returns for their second outing, flexing four original club traxx from anthony fade. mind games opens things up - a jackin acid drum machine workout awash with 707 hits and 303 squelch. the a2 m1 cause everyones gotta have fun then hits you with a piano rave weapon - gritty and hard hitting coupled with those classic m1 stabs. flip it over for a top-down summer anthem in i m weak marrying rnb tinged vocals and shuffling rhythms before dr. ice closes it out with a golden-era hip hop inspired deep house groover.

celebrating 15 years of one of dance music s most recognisable and truly international independent labels. avoiding a retrospective reflection of the label s classic tracks, achievements and catalogue, toolroom are proud to present an album of all new exclusive material written by some of house music s freshest talent alongside established genre favourites. this limited edition vinyl handpicks four of the highlight tracks from label boss mark knight, format:b, dj pp, danny howard and weiss, offering a seamless journey through the genres toolroom have become world famous for, house, tech house & techno.

dauwd returns to technicolour with -theory of colours - versions- ep. a new 4-tracker ep containing remixes/reworks of various singles from his debut album. the ep opens with a piano rework of analogische memories , recoded at his studio in berlin and the result of countless hours work - -it took some time, as i had to learn to play piano- dauwd explains. dauwd also makes up one third of the berlin collective, party and radio show, african acid is the future having previously released on kompakt and ghostly international. ukrainian music producer and leleka label boss vakula provides a remix of macadam therapy . fresh from the release of his well received lp -metaphors- and following on from last years -techno game- released via arma and -cyclicality between procyon and gomeisa- released via dekmantel in 2016. aaitf partner romain azzaro aka rouge mécanique provides two remixes of murmure (one -walking-, the other -running-) - -romain and i returned to the studio where i made much of the album in utrecht in the netherlands. we got to experiment again with many of the wonderful machines they had there, in particular the original roland system 700-.

time flies, doesn’t it? it sure does when you suddenly wake up to celebrate your 10th vinyl release as a small label, which is the case with us. but as we’re all about quality over quantity, our latest 12” offering comes with a superb collage of fresh music by the one and only radicall. having made his mark as one of the most consistent producers, known for his trademark combination of strong, dynamic drum programming and soft and booming basslines, radicall keeps on delivering top-quality music with each next release. and this 12” single is no exception to the said rule. the playful, happy-go-lucky “touch” is a bit of a nod to the old-school/rave/early jungle/footwork/you-name-it style given its complex drum pattern and an array of acid-style synthetic samples and tinges of vocal here and there, but sticking to modern-day standards nonetheless. the flipside comes with “build me up” remixed by bungle, who surely knows how to make good things just as good as they are, but yet a bit different. and here we have the brazilian powerhouse reshaping radicall’s work to make it a bit lighter and upbeat, but still retaining some elements of rawness mixed perfectly with traces of nostalgia. an excellent job, breathing a new life into the original piece - a darker-shaded straight-to-the-point roller, which you can get as a digital bonus added to the release. so here it is - the tenth vinyl item in our catalogue, featuring names you simply can’t go wrong with. what better way to celebrate the occasion?

dax j returns to monnom black with a huge double ep of techno and acid weapons! absolutely essential! comes with free digital download code, a5 art + sticker.

proper 12 invch vinyl , from techno to acid

laylla dane to release her debut record. known as a devoted, low-key selector and dj, the bulgarian delivers a refreshing class act of an ep on all-inn. swirling acid, mystic ambience and groove-ridden melancholia.

the melting point ep is back on dame-music! following the well-acclaimed volume 1 last december, which included tracks from kink, thomas p. heckmann and bloody mary, dame- music is proud to present volume 2 of this acid project, this time with label boss bloody mary inviting three guests to share the record with her. the photo used in the artwork for this release was taken in sydney s king cross district in early 2018, and features street art by owmag. thanks to this amazing artist for allowing us to use his work. once again, the melting point concept sees bloody mary invite some of her favourite and most well-respected producers to the label with these 4 original tracks. the melting point ep vol. 2 marks the fusion of four renowned producers including hardfloor, josh wink and alien rain and mary herself. this release is sure to be heard on dancefloors this summer! 4 tracks made by and for acid lovers.

a1: the exceptional producer stenny has been a munich resident for a few years to be as close as possible to his musical home port of ilian tape. here he once again proves what a perfectly mixed supergroovy breakbeat board is.
a2: janis and fabian from the live duo aka trap10 do not hide their musical ideals. in “people zoo” it’s classic but classy, &#8203,,&#8203,,according to old detroit style and chicago tradition.
b1: jonas friedlich’s eps on molten moods and four triangles are a good example of what techno’s style is all about: tape delay is his weapon of choice, often with vocals and rarely straight beats. with “jazzersizzzze” he ties in masterfully to it.
b2: p-t2 has become an integral part of the red sun (club rote sonne) in just a few years, indulging her fondness for the harder pace of club music. accordingly, their rfr post is an acid board, as it is written in the book.

we remain suspended, fluctuating
in these waters of unknown wellness
flooded by a silence of emotions.
emotions that make our loneliness
more deep, clear and awful.
as nails that dig died skins,
as eyes that bleed making skins acid
as hair that strangles the crowd s voices
thus we,
remain suspended
in this air rarefied by thoughts
to make us more conscious of the restless lack
of the hope from us stolen.

next release on echovolt s regular run is the debut ep by priori, co-founder of naff recordings. three cuts of large-scale psychedelia where machines get squeezed and bent for sound. it’s dynamic acid for our constantly evolving and restless minds. an ode to the environment that nurtures us, an attempt to ring mod the sun and the sea.

fractions eschew biographical identity in their debut release for berlin s fleisch records. a potent mix of ebm, techno, breakbeat, electro, acid and horror- soundtrack provides only a title, control , s&m leaning artwork that seems to reference dali s in voluptas mors and a one-line manifesto: make dead dance.

* after the feature -silent singer- on stonedwave007, the unique scottish producer chordata shows a huge range of variety on this debut ep, telling skillfully a story consisting of six chapters. what to expect: electro from scotland based on ancient myths as indicated by the cover artwork with a double raven and celtish knotwork. the ghosts are in the machine and they are spawn by classic 808 drumbeats which form the rhythm for the actors which tell their story in the shape of playful melodies, rave signals, robot vocals and acid lines.

derek carr has flown back onto the radar after reissues on ben boe s for those that knoe imprint and a string of newly released music through 2017 and early 2018. in true craigie knowes spirit, derek has been drawn off of the beaten path to supply a wider variety of sounds than you would usually expect to hear from the irish producer. acid, techno and detroit electro tinged sounds throughout. tip!

after the label was put on hold for many years, there was no doubt, that lory d was up to the task of reanimating the sleeping beauty of seilscheibenpfeiler schallplatten berlin. t he italian techno producer deliveres a stunning ep for catalogue number sspb001. with its driving acid sounds, sublimed by raw percussions and hypnotic rhythms, this ep definitely is one for the darker parts of the night. last but not least it also features an edit of berlin local marcel dettmann, a man that doesn?t need no further introduction. a big bang that makes sure that the next release won?t take another 24 years...!

strictly under the counter business. the kk editions are back - hot and limited!

mighty dnaondna (heteroerotic asphyxiation, oiwa) manufactures strictly strictly s magical 3rd release and offers nothing than power, power, power: erratic opener the//grind pushes you into the flow with restless uk-ish breaks before haifa slaps you hard with its violent rhythm and epic bassline. don t move on the b-side chases you with its 145bpm acid breaks to finally eject you struggling for breath. a dangerous adventure!

four fresh jared wilson tracks on his own label 7777 in collaboration with glasgow s dixon avenue basement jams. 4 tracks influenced by acid, house, techno, roland, make noise, michigan and the great lakes.

first he had us in denial. then he made us an offer we couldnt resist. now hes fixing our focus on the most crucial player in this whole house caper: the selecta. come again? selecta is yet another crystalline acid body workout from the ovum boss whos been dishing out single sinewy shell-outs in a seriously rich vein of form of late. galvanised by heavily swung drums, loaded and coded with a venom-like funk and characterised by a big soundsystem vocal that tears out of nowhere and disappears just as quickly, its yet another unique piece of 303 witchcraft, the likes of which only wink can conjure. deeply groovy, unabashed darkness and just a nuance of mischief with the vocal, its yet another precision piece from mr wink whos also kindly provided an instrumental for your added creative pleasure. selectors, this ones for you. you know what to do…

after years of successful parties it s time for the tropical animals team to move on to the next phase. this time, it is whitesquare (2020vision freerange rec) who will have his music pressed on wax for the brand new florence-based label. the artist delivers in light ep, which includes three mesmerising exclusive tracks:limitation, an incessant vortex with acid nuances, following velvet room, a romantic melody driven by lush textures at the end, we find pressing point,a climax of primordial rhythms and synths. spirals of sounds, uncontaminated electronic atmospheres and emotions that intersect memories lost in time. deep deep down, far far in.